s1 warsaw is back! after last years sampler including crooked disco debut from matat professionals it is time to get back to artists series with warsaw-based producers full lenght ep. dial b for fun time is a perfect soundtrack to memories of 90s teenager spending all day hanging around skate spots, driving car and listening to some noisy mixtapes, watching skateboarding movies and cheesy comedy flicks on vhs tapes or bombing downtown at night. sounds and styles blended in these four tracks vary from early dj shadows sublime beats, soundstreams disco-house pumpin, bjørn torskes nordic moods to mobb deeps lo-fi hardcore hip-hop instrumentals. all served with cheeky sense of humor and dose of irony.

black vinyl 180g jacked in full colour printed sleeve. non succede niente- as a stagnating state of mind that rises into neurotic anguish, - non succede niente - as the soothing chant of a mother to her baby. mace s new ep blends in its track these two antithetic yet intertwined situations. “non succede niente - for this reason is drenched in this sort of unfulfilled dualism. these extremely different states of mind are juxtaposed in the succession of the tracks, where introspection and auditory blurriness of tracks like * 21% * or * la fine del sistema aureo* - in this last one the recollection of long past memories is both related to childhood reminiscences and collective historical memory - give space to the shining awareness and self-determination of * ti fissano* and the hope for the future portrayed in * synàptein*.

the tracks here are in the brutalist machine house vein and the source material for * we come together* (by mazi as asp and john griffin as awoke) will be familiar to devotees of roots chicago house. the brodanse brothers * sleep won t come* is remixed by audio soul project and awoke. chicago based multi-instrumentalist jonn wallen contributes the dense * aesthete* under pseudonym *by gordon gartrelle*. * we get together* is a tribute to the 90s house that inspired us to start making music years ago. people reminisce about how things used to be better, but you must breath in the present. we keep with us those hallowed bones but let pain and suffering fade into the mist. we let memories fade in the depths of our neural web so as not to be paralyzed by the burden of sentiment. we forget to stay sane.

bitter moon has criss-crossed europe to gather a trio of heavy house hitters for lunes de fiel vol. 2. creme organization prodigy innershades gets the show on the road with the synth slamming groove of -moments of euphoria-. new beat memories bounce alongside rumbling rhythms in track guaranteed to ignite speakers. next stop is germany with snuff crew and -your hands-. the jack experts fillet their trademark raw edges for a smooth and soulful piece of late night chitown. smoke curls around chords, claps are softened as samples turn in a twilight haze. the final destination, italy, is bathed in the 303 sunshine of -#acid-. the white rabbit recordings founder uses the building blocks of chicago to produce a fluid floor filler. cymbals, cow-bells, toms and snares are soaked in a devilish brew of acid. bohemian body jerk to a 4/4 beat to bring down the curtain on this latest instalment of lunes de fiel.

limited edition double vinyl lp - 500 copies only.
twelve of the best and most in demand tracks specially selected from the five albums that carlos garnett recorded for muse records between 1974-77. deeply funky spiritual jazz of the highest order featuring the cream of ny musicians and singers

office 04 circles in memories: the record is about johannes * iron curtis* palukas time at karl-marx-straße berlin where he used to live next door to label head baaz and graphic designer chris fladung. a1 track * magnet* is an ecstatic piece of house music holding all elements ics production is esteemed and loved for : heavy, unrelenting kicks, rolling bass lines, shimmering pads, topped with searing hot yet gamelan-like synts and an icing of slightly loose, detuned organ stabs predesting grand emotions on any dance floor. * what happened happened* surely marks up as another proof of curtis fearless takes on house music: distorted field recordings and blurred spoken words, a web of gossamer melodies and subtle clicks and cuts, all cohered by the louche bassline and the reshuffled groove in a true dilla-ish vein. adapting elements to their own agenda, clandestine groove explorers berg turn * what happened* into a true midnight roller: razor-sharp hihitas join forces with a steam-maschine like percussion, whipping relentlessly in-between kick drum and kick drum. berg cools off their take with prancing melody motifs and strung out pads of the original track, though never loosing focus of the * reductions* aim: keep the dancer dancing.

midgar is proud to introduce a newcomer for the third release. a great debut for the maltese cloned, delivering not less than 4 cuts with sapphire 1990 e.p. the record, way more straightforward and groove centered than the previous midgar outputs, opens with sapphire 1990, track that sounds like very nostalgic memories from a timeless rave. thanks to a genuine simplicity and the great arrangement of its elements, this first cut has the perfect characteristics to become a dancefloor anthem. on the same side, a live out-take from cloned’s repertory, the pendulum swinging synth-lines which dominate pretty direct rhythmics filled with hi-hats and claps over a costant background noise. belgassem as the first cut on the b side, is an absolutely heavy one for the label’s standards, made of deep kickin’ drums and haunting voices empowered by a really strong and obsessive acid-line. closing the vinyl, the slow (and again really acidic) submerging is like a lysergic vessel headed to more comfortable dimensions, where groovy drums are embraced by very bright heavenly pads. sudden death is instead a chilled-out broken beat interrupted by confused speeches and detroitish pads, resulting as a modern ritual of ascension towards higher spheres. corel drives the release to the end, recalling most of its main features: a restless run through misty soundscapes along a path studded of bells and overwhelming, sharp hi-hats.

vinyl only release, ltd to 500 copies
i didnt mind what she called me, what anybody called me. but this was the room i had to live in. it was all i had in the way of a home. in it was everything that was mine, that had any association for me, any past, anything that took the place of a family. not much: a few books, pictures, radio, old letters, stuff like that. nothing. such as they were, they had all my memories and no one could disturb this private peace.

nice moods between downbeat, hip hop and house by dwig aka die wiese im garten.

2015 repress, support by: brothers vibe, dj koze, eric cloutier, laurent garnier, shinedoe, sevensol, tini and many more ... within a year christopher rau has managed established himself as one of the most promising german deep-house producer with striking releases on labels such as smallville, giegling or his own imprint dérive. as a direct follow up to his album on smallville now comes his debut ep on aim with three well selected tracks that show an intriguing understanding of deepness. >stockings< with its funk riffs and filtered vocals brings is a wonderfully uplifting tune, with an enticing oldskoolish vibe that brings back some precious memories. >anita niesz< (a collaboration with jacques bon) is not only a rare manifestation of musical talent in electronic dance music today, but also a intimate atmospheric tune that will work the finest dance floors and bedrooms

here introduce 3rd release from label, and we proudly introduce new fantastic 3 track ep detroits fame rick wade! after releasing hustlers lullaby ep, detroits fame delivers new 3 track ep called the fields. starting with the track called *beautiful world* is rework of 90s heart full vocal classic with fender rhodes chords and mystic strings arrangement on black dance music groove. this must be big stuff! featuring electric piano chords and refrains, in the fileds delivers soulful jazzy deep house groove.there also features fantastic instrumental version on flip side. and secret distant memories deliver boogie disco feeling with strings and horns.

g2014 is over and downbeat records, is back with a new release. jose rico and urtzi, come back again with another 4 tracks vinyl. memories from another life and no back memory are two deep house pearls with minimal sequences and emotional synths made by urtzi. at the same time, jose rico is the responsible for the mechanical and powerful aint, and the percussive and ethereal small island, probably one of his best tracks so far. and, as they did with that space is the place ep, they have made here a consistent release, setting their personal view of the dance music.

society 3.0 recordings presents the next release by ugur project after the successful debut of his *state of space ep*, supported worldwide by e.g. tyree cooper, marc depulse, robert grand, nicolas duvoisin, chris fortier, bebetta, da funk, oscar barila, ante perry, daniel mehlhart, mollono.bass and many others. *adventure island* is a real deep tech house burner for late night sessions and peak time sets too. after the first listen all tracks will not go out of your head!

legotek s first lp is brought to you by tel aviv based dot. imagine one of those special sets. the kind of musical story that sticks in your mind for ages, you always remember and in times can scoop endless seeming power from. well this 8-tracker from dot just about fulfils this kind of stimulus. each track can be seen either as one special individual or the whole package as one big flowing journey. mixed together this could easily turn out as a live set. now then, about the unique music and its seductive vibe. staying true to the underground heart of legotek dot has managed what many aim for in effort. a vibrant, lively and deep sound constantly accompanied by strong kicks and pumping melodies. the analogue core of the story has been given the breath of life to become a classic piece of deep house history.

memories from the past get back to us. similar situations that come to mind, reminding rhythms that have already been marked, energetic and engaging. without a stop, establishing a strong connection to the source. we follow the path. music as nexus.

ausgabe #9 der * about berlin* reihe mit 31 tracks auf 4x12 inch vinyl. limitiert auf 1000 stück, inklusive downloadcode.

and so lux rec continue to reach out for all those ephemeral, eery noises which are so dear to them. unlit corners on half emptied dance floors. give in to suffer, loss and sadness. embrace it. believe...
lux recs first record for 2015 is a dark and moody affair coming from momentform, a french musician that has no fear to plunge into obscurity, melancholy, a somber look into memories that are too painful to forget. yet, he transformed all those postcards from the past into listening and dance material. our last dance together. turn off the lights when leaving.
pressing on dark translucent, smikey marbled vinyl.

born in the distinctively puerto rican neighborhood of lincoln park chicago, ricardo was named after legendary salsa singer ricardo ray. after major puerto rican displacement (urban renewal) ricardos parents settled in the noble square section of west town for many years. his music reflects a traditional house culture that goes beyond just sound or legendary stories. while his industry peers recite fond memories of the music box, the bismark and other musical institutions – ricardo sat in front of a big pioneer radio listening & recording mixes from chicago radio stations wrrg, wbmx am/fm & wgci which included a hefty dose of early house music, italian imports and electro. but, it was the new sound of chicago house that made a profound impact on his soul.

larry levans name is synonymous with contemporary dance music culture, his contributions are widely noted in many books and documentaries and in the memories of the lucky people who got to experience his phenomenal dj sets at the now legendary paradise garage in nyc throughout the late 70s until the late 80s. his name is still mentioned with reverence today and he is listed as an influence by countless djs and artists across the world.

ltd 2015 repress , as chinatown thaws and drips into spring, so arrives the debut vinyl release from the hardware scientist cloudface himself. the record appears as a breath of foreign air... a lucid recreation of memories emblazoned in the cosmos

those who have been following the cosmology series from its inception will no doubt be familiar with the ad hoc release schedule and will perhaps have grown accustomed to the diverse range of styles that their eps encompass. each one has trodden a different path in the pursuit of updating pivotal dancefloor memories and cosmology volume four is the most ambitious reworking to date. the choice for this instalments source material is a topical one as the influence here comes from herman sonny blount, better known as the free jazz pioneer sun ra.

hand stamped white label - limited to 200 copies - vinyl only ! john beltran, class of 69, is one who have surfed the musical scene for the last 20 years with unforgettable and unclassifiable tracks. detroit techno, jazz, ambient and electronica have all been part of beltran s career, just like the unchartered territories which are released here with soul research. lunata, with it s 3 tracks, is a record which brings back classic 90s detroit, enriched with soft and enveloping memories. a jump into the future with influences from the past.

to pretend with a compact production, filled with guitar riffs, catchy melodies surrounded by a haunting bass, incredible electronic atmospheres, his new project stalker shows his concept of pop music. memories of people passing by, visions of nights to come. a retro pop approach to everydays life. music with a reason and a meaning by a man of mystery, passion and a brilliant mind. music with a reason.

vinyl only

supermoll 01 the first vinyl release of the young techno label supermoll from cologne. rooted somewhere between a sound of cologne legacy, german experimental kraut attitudes and dirty acid vibes from oversea. jeandado opens with a heart-warming, melancholic synth solo that positions his track clearly in the glorious realms of pop. with striking toms and a burning bassline this piece tells the story of a life. the a side continues with universum, a beautifully leftfield perspective on electronic music. in old memories of a genre called synth pop the universe unfolds in front of your eyes (and ears). ludwig zibell s track sets a landmark for a very special place in köln: the herkulesberg, a so called -trümmerberg- of post-war debris in the center of the city. this special scenery gave the inspiration for his slowly progressing piece of intense deep techno art. -switcheroo- by diom celebrates reduction. hypnotic chimes and subtle changes echo the compositions of musicians like steve reich and other representatives of the minimal music scene. supported by tim sweeney, hans nieswand, tobias thomas, brandt brauer frick, roland m. dill, bryan kessler and many more. mastering: jörg burger cover: ludwig zibell

for some ageing producers, the nineties represent a lost land of hazy parties, forgotten nights and emotion-tugging tunes. but for the fresher-faced end of the dance music spectrum - such as the la-based dj and producer urulu - those post acid house, pre-mp3 days are a neverland of the imagination, something to be relished vicariously through the mags, memories and music of 20-odd years ago. two years back, urulu - aka taylor freels - even released a single called *1991*. it might have made some grizzled club kids feel a bit old, but the love and euphoria in his music are there for all to hear. but jump right up to the minute, and urulu is back in action for sheffields shabby doll label.

the maaskant polychoral style was a type of music of the late modern electronics and early indie eras which involved spatially separate voices singing in alternation. it represented a major stylistic shift from the prevailing polyphonic writing of the early electronic generation, and was one of the major stylistic developments of the 90s which led directly to the formation of what we now know as the pure modern style. a commonly encountered term for the separated analog choirs is cori analogici spezzati — literally, phased choirs. the a-side, featuring eyo olokun, signifies unfathomable deep grooves. that is, the instinct that there is something worth knowing, perhaps more than can ever be learned, especially this bassline that most people spend a lifetime pondering.

larry levans name is synonymous with contemporary dance music culture, his contributions are widely noted in many books and documentaries and in the memories of the lucky people who got to experience his phenomenal dj sets at the now legendary paradise garage in nyc throughout the late 70s until the late 80 s. his name is still mentioned with reverence today and he is listed as an influence by countless djs and artists across the world.

(180 gr heavy weight gatefold 2lp with liner notes) funky chicken brings together some of the best belgian dance tracks from the early seventies.

antinote house maestro geena returns triumphantly with a 4 track ep that weaves the deepest melodies with the strongest rhythms. niagara galleries is pure deepness with it s mesmeric panpipe lead while lunar substance proves that the parisian producer is also a master of the esoteric & ambient. gotta wear shades is filled with the dark memories of lost basement parties and gamma sector is a fine example of the best of acide maison - a solid and gifted ep. tip

aretha franklins all time best-selling atlantic album, ioriginally released in 1972 - now back on double 180 gram vinyl in gatefold sleeve.

nice price deal !!! an der grenze zwischen dem großen und all den kleinen mainstreams hat anstam waehrend der letzten zwei jahre einen noch künstlerischeren ansatz verfolgt und versucht, einen komplexen und ausdefinierten kosmos zu schaffen voller einzigartiger musikalischer logiken, physik und atmosphären. names ist das dritte album des aus berlin stammenden lars stöwe und nachfolger der von der presse hoch gelobten alben dispel dances (2011) und stones and woods (2012) erneut stößt anstam in seinem eigenwilligen und einzigartigen stil in neue gefilde vor und kreiert mit hilfe des gesamten instrumentariums relevanter moderner musik ein zehngängiges menü delizioesen brain foods

amr prepares its 28th release, -our ways- by birmingham, uk producers laak (of austere recordings). the release features four deep, melodic house tracks for your listening pleasure.

after storming the gates with his warmly received tambacounda ep, clap! clap! returns to deliver his debut longplayer. tayi bebba is a conceptual work that manages to balance a highly cerebral concept with making some good old-fashioned bangers. tayi bebba is an album tour of an imagined island, each song representing a location, event or ritual. sonically, it is a fast moving charge across the soundscape, fusing field recordings and found sound with incredibly surgical drum programming. flavours of house, footwork and hip hop punctuate your migration with a very specific sound palate, giving this amazing work a cohesive feel.

deo & z-man, the blood-brothers from hamburg, pulled off one of the most creative feats of last year with their debut album, no bullshit , with zero bs but plenty of inspiration, the pair melted together a range of influences with a healthy dose of tongue-in-cheek humour for their underground opus. the remix lp to follow this ep solidifies their commitment to the eclectic, drafting in friends and family like lee burton, erobique and tigerskin to rework the magic.

what does a rave sound like the next day? the strobe lights in a dark warehouse, the pounding kick, the blur of ecstatic faces lead to a morning-after emptiness, all fade into memories of the friends you once had. on ode, tin man (proper name johannes auvinen) explores this feeling, offering tracks which possess an exhausted joy, the aural equivalent of the stretch of time beginning when the last record is played and stretching on towards the doleful contemplation of last night’s unmade sheets. appropriately, tin man’s melancholic dance music is more club-ready than ever.
the double 12 inch lp comes in gatefold sleeve with download code included.

endlich ist es hier, das neues album >in return<! durchzogen vom pop ist es ein elektronisches wunderwerk, voller mitreißender hooks. die vocals kommen von zyra, py und den shy girls sowie madelyn grant auf sun models. odesza werden mit dem neuen album den gesamten herbst auf tour gehen. sie werden eine reihe von ausverkaufen shows in den usa und europa spielen. in return ist ein album, mit dem odesza an die spitze der elektronischen musik aufsteigen wird. das doppel-vinyl erscheint inklusive download-code.

rick wilhite delivers a super strong collection of tracks made by producers coming from either new york, chicago or detroit. this the second in a 2 part project.

q-ziqs new ep is a thing of joy and hazy childhood memories. the music of the future as it felt in the early eighties, filtered through the rhythmic shapes of more modern dance music innovations

for some grungy vocal house music with a touch of chicago percussion and a healthy splash of the indie-synth wave that came crashing over electronic music in the late 2000s, scissor & thread s black light smoke might be 2014 s answer to danton eeprom circa 2009. we say danton eeprom, as the voice on the b2, -screws in my head-, has a similar tone and enunciation of the frenchman, or are we getting mixed up with mathew dear? the title-track, -firefly-, brings back memories of azari & iii s debut ep only with druggy vocals coming from what could be the basement of a dfa rave in new york, while -morning comes- borrows some cowbells from the rapture and sultry french inspirations from jane birken. -black bricks- then provides some slo-mo, lo-fi phase filtered house - and one hell of a bassline. alternative electronics for the indie lover

weightausands music is born out of the crash between expectations and daily praxis. a dub-infused, non linear array of data in which memories, obsessions, in the shape of sound pieces borrowed from friends and collected from the most various sound sources (even cannibalizing dance music power cliches such as the amen break), are arranged to enter a psychic cage system set to take advantage of their raging power. the resulting tracks sound like jungle rave hits echoing from outside time. side b contains a doomy aquarian remix of by morkeblå, and a remix by concrete cave inhabitant heith of an unreleased track, produced with no previous listening of the original.

in times where a rave feels pretty much like a funfair, the chairoplane is still the nicest ride. thinking of kettenkarussell some might remember one of those gathered moments in a low summer night under the clear sky when things made sense for a while. but those memories fade away quite fast or seem really strange a few years later on youtube. so what is it that is left behind? after 10 years of collaboration the couple decided to do an album that might challenge the comfort zone of those who try to keep up that easy living. its a record full of holes. and still this is what keeps them together. in pain we trust... and yes i believe you and me will make love forever...

eep emotional techno full of warm chords and analogue basslines merged with cool beats to get that special fitzpatrick vibe. music for dancefloors and living rooms at the same time, charismatic and dynamic!

bordeaux via paris house music producer hugues rey, aka bobmo, releases his debut album on marble, the label heco-runs with para one and surkin.
supported by trevor jackson, sinden, pedro winter, agoria, arnaud rebotini, philippe zdar, tsugi, trax and more...-

ten years of deep explorer. the celebration started with the capsule remixes 10inch that was released 2 months ago, now is closed with this far & beyond, a double pack vinyl where the brothers and heads of the label (dubbyman & above smoke) make their own selection of exclusive material into groove and dark deepest house tunes from artists worldwide.

it is with great joy that we present the first kreattones release. for this first release we picked the talented robot love and his super sentimental track *geometry*. this track is a true masterpiece and reveals great attention to detail and construction, never forgetting the feeling and message. we count also with two outstanding remixes in our premiere. one by the unique john tejada, bringing back memories and transporting the listener into a whole new world, due to the gorgeous and complex melody that he created. and another by ben hoo, exploring the elements and turning the original track into a deep and hypnotic journey, full of content and emotion.

after forming a successful dj and production duo, live set, club nights, and solo gigs, it is only natural what comes next. in march of 2014, i m in love becomes a record label and hits the shelves with their first release – a vinyl only debut from the hands of joschka tschirley. *alpha centauri* and *proxima centauri* are brilliant examples of tschirleys journey through techno since forming raucherecke in 2007. both tracks exude his warm style with emotional pads, balearic infused percussion, and just enough melody to lose yourself in. tschirley captures familiar moments from the duos past productions while layering his new ideas taken from countless live sets, dj sets, and only the best memories from the i m in love club nights.

rothmans are back with there first release of 2014 - coyote - the socrates ep. this time the guys are paying hommage to one of the more contriversial stars of the late 70 s/ early 80s the absolutely legendry dr socrates! this 6th release by the the retro, football mad, perm loving lot sees them take a step away from the various artists format into the world of ep s. and what a stomper they have in the form of the is it balearic...? boys coyote. featuring on last years claudio gentile release the boys are back on rothmans and in fine form with a mixture of psychadelic disco and funky balearic beats that would make dr socrates himself stand up and shake that afro all over the dancefloor. and joining them on the team sheet are a pair of knock out players in the form of mark e & ste spandex. mark e putting his silky skills, and attacking mark on passing memories, and then ste spandex bringing it up the rear and joining him in attack with a live vhs remix of act like you know. the rothmans label seems to be taking shape now and looks like it could be also putting together a dream team of releases

french producer david k is ready to announce his debut album, out of range, an off-the-radar mixture of romantic melodies on drugs, rocking beats a la parisienne, and sounds to turn you on, released on tiefschwarzs ever reliable imprint, souvenir.